{"id":3531,"date":"2010-12-03T23:21:31","date_gmt":"2010-12-03T22:21:31","guid":{"rendered":"http:\/\/www.oliviercrouzel.fr\/?page_id=3531"},"modified":"2024-01-07T05:55:14","modified_gmt":"2024-01-07T04:55:14","slug":"biographie","status":"publish","type":"page","link":"https:\/\/www.oliviercrouzel.fr\/en\/biographie\/","title":{"rendered":"Biography"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Born in 1973 in Fez<br>Lives and works in Bordeaux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Olivier Crouzel is a video and visual artist. Most of the time, he composes installations using video devices combined with landscapes, buildings, objects and materials. Inspired by reality and by encounters and collaborations with science, literature and documentary film, his work questions our changing world. Through his large-scale interventions in the public space, he develops poetic and contemplative forms that suggest critical approaches, opening up the complexity of what surrounds us.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His research has evolved into long-term projects involving places to which he returns, including a building constructed too close to the Atlantic in France (Le Signal) and an abandoned hotel facing a quarry island in Greece (White beach). He films the disappearances of fishermen, fish (Fishermens landscapes) and shorelines (Des digues et des hommes). He develops observation processes, searches for horizons on board a camper van (Horizonto), creates a mobile-video-literary place (Maritimes), tries to link landscapes together and create a collective imagination (Paysages qui tanguent).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2018 he was awarded a prize by the Fran\u00e7ois Schneider Foundation, and his work 18 rideaux became part of the collection. In 2022, he presented his first solo exhibition: Horizon. That same year, in the company of the author Sophie Poirier, he inaugurated Maritimes, a mobile-video-literary space as part of a residency lasting several years along the Gironde estuary. In 2023, her work Paysages qui tanguent will be exhibited at the Maison de Grave, created in the 19th century to preserve the coastline on the Atlantic coast.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Commissioning and distribution \/ Olivier Crouzel &#8211; 06 12 25 98 02 &#8211; <a href=\"mailto:ocrouzel@gmail.com\">ocrouzel@gmail.com<\/a><br>Documents d&#8217;Artistes Nouvelle Aquitaine, <a href=\"https:\/\/dda-nouvelle-aquitaine.org\/olivier-crouzel\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/dda-nouvelle-aquitaine.org\/olivier-crouzel<\/a><br>News: Facebook Instagram<br>Reproduction rights, ADAGP, <a href=\"https:\/\/www.adagp.fr\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.adagp.fr<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">TEXTES (S\u00e9lection)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><a href=\"https:\/\/www.poly.fr\/olivier-crouzel-expose-horizon-a-la-fondation-francois-schneider\/\">Olivier Crouzel expose Horizon \u00e0 la Fondation Fran\u00e7ois Schneider<\/a><br>\nSuzin Vieira, Journaliste et philosophe, Magazine&nbsp;Poly, 3 f\u00e9vrier 2023<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=17633\">Le lieu devenu paysage<\/a><br>\n<em>Christian Malaurie, \u00e9crivain, universitaire, sp\u00e9cialiste de l&#8217;image &#8211; <\/em><em>F\u00e9vrier 2022<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/reseau-dda.org\/fr\/publications\/points-de-vue\/l-image-au-defi\" target=\"_blank\" rel=\"noopener\">L\u2019image au d\u00e9fi<\/a><br>\n\u00c9tienne Hatt, Art Press 473, Janvier 2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=12586\">Les gardiens par Emeline Dufrennoy<\/a><br>\n<em>Critique d\u2019art et commissaire d\u2019exposition \u2013 Pour&nbsp;<a href=\"http:\/\/www.reseau-dda.org\/productions-editoriales\/textes-critiques.html\" target=\"_blank\" rel=\"noopener noreferrer\">R\u00e9seau Documents d\u2019artistes<\/a>&nbsp;\u2013 Mars 2018<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=9800\"><em><span class=\"s1\">Entretien&nbsp;<\/span><\/em>avec Marie Escorne<\/a><a href=\"\/?p=9010\"><br>\n<\/a>Enseignante et chercheuse&nbsp;Universit\u00e9 Bordeaux Montaigne \u2013&nbsp;<span class=\"s1\">F\u00e9vrier 2016&nbsp;<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=9010\">D\u00e9marche par Sophie Lapalu<\/a><br>\nCritique d\u2019art \u2013 Pour&nbsp;Documents d\u2019artistes Aquitaine \u2013 Septembre 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=9008\">Entretien avec S\u00e9bastien Gazeau<\/a><br>\nEnseignant et r\u00e9dacteur ind\u00e9pendant \u2013 D\u00e9cembre 2011.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"\/?p=9012\">D\u00e9marche par Christophe Domino<\/a><br>\nHistorien et critique d\u2019art \u2013 Pour le Salon de Montrouge 2011 \u2013 Avril 2011<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">INTERVENTIONS &#8211; EXPOSITIONS (S\u00e9lection)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022-2023<br><a href=\"\/?p=18294\"><em>Horizon<\/em><\/a>, exposition personnel, fondation Fran\u00e7ois Schneider, Wattwiller<br><em><em><a href=\"\/?p=19180\">Maritimes<\/a><\/em><\/em>, lieu-sculpture-vid\u00e9o-litt\u00e9raire, Estuaire de la Gironde<br><em><a href=\"\/?p=19081\">Paysages qui tanguent<\/a><\/em>, Maison de Grave, Le Verdon-Sur-Mer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022<br><a href=\"\/?p=17768\">Yali<\/a>, exposition Nos \u00eeles, Fondation Fran\u00e7ois schneider, Wattwiller<br><a href=\"\/?p=16245\">18 rideaux<\/a>, De(s) Tours d\u2019eau, RMN, Aigues-Mortes<br><a href=\"\/?p=17935\">Shadowgame<\/a>, Parlement Europ\u00e9en, Bruxelles<br><a href=\"\/?p=7438\">Le Signal<\/a>, Maison de la po\u00e9sie, Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021<br><a href=\"\/?p=17378\">Horizonto<\/a>, exposition Desperanto, Zebra 3, Fabrique Pola, Bordeaux<br><a href=\"\/?p=18675\">Supplementar<\/a><a href=\"\/?p=16435\">y elements<\/a>, Campus de Strasbourg<br><a href=\"\/?p=16808\">In situ<\/a>, 3\u00e8me Porte \u00e0 gauche, For\u00eat de Captieux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<br><a href=\"\/?p=16245\">18 rideaux<\/a>, Exposition Talents contemporains, Fondation Fran\u00e7ois Schneider, Wattwiller<br><a href=\"\/?p=17322\">White beach<\/a>, Le FAB, Bordeaux<br><a href=\"\/?p=16242\">L\u2019hiver des refuges<\/a>, Bordeaux M\u00e9tropole<br><a href=\"\/?p=16239\">17 m\u00e8tres<\/a>, Op\u00e9ra National de Bordeaux<br><a href=\"\/?p=16296\">Des digues et des hommes<\/a>, R\u00e9serve Naturelle Nationale de Lilleau des Niges, \u00eele de r\u00e9<br><a href=\"\/?p=13979\">Renature<\/a>, INRAE, Cestas<br><a href=\"\/?p=17637\">Point de rencontre<\/a>, Marmande<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019<br><a href=\"\/?p=7438\">Le Signal<\/a>, Exposition Climat-Oc\u00e9an, Mus\u00e9e maritime de La Rochelle<br><a href=\"\/?p=10509\">Zero impunity<\/a>, L\u2019Uzine, Casablanca<br><a href=\"\/?p=13979\">Renature<\/a>, FACTS, Festival arts et sciences, Mus\u00e9e d&#8217;histoire naturelle de Bordeaux<br><a href=\"\/?p=10509\">Zero impunity<\/a>, Festival international du film d\u2019animation, Th\u00e9\u00e2tre national d\u2019Annecy<br><a href=\"\/?p=14450\">Nos paysages<\/a>, fabrique POLA, Bordeaux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Les gardiens<\/em>, Cit\u00e9 internationale des arts, Exposition collective Setup, Paris<br><em>S\u00e9rendipit\u00e9<\/em>, Festival histoire d\u2019\u00eeles, \u00eele Nouvelle, estuaire de la Gironde<br><em>Le ch\u00e2teau haie<\/em>, Ch\u00e2teau Guiraud, Sauterne<br><em>Bon Souvenir<\/em>, Le Florida, Agen<br><em>Barri\u00e8res<\/em>, Festival Climax, Cenon<br><em>Aller-retour<\/em>, Les marches de PanOramas, ZUP de Bayonne<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<br> <em>Le monument Basilique<\/em>, RMN, Basilique de Saint Denis<br> <em>Zero Impunity<\/em>, a_BAHN, France, Jordanie, Ukraine, USA<br> <em>Bon souvenir<\/em>, Centre de d\u00e9tention, Villeneuve-sur-lot, Maison d\u2019arr\u00eat, Agen<br> <em>Micro-Paysages<\/em>, Les marches de Panoramas, Observatoire astronomique de Floirac<br> <em>Sauvage<\/em>, Darwin, Bordeaux<br> <em>2 marguerites ne font pas le printemps<\/em>, RMN, Ch\u00e2teau de Cadillac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<br><em>Le T\u00eat<\/em>, Bruit du Frigo, Perpignan<br> <em>R\u00eaver le destin<\/em>, Bruit du Frigo, Cenon\u2028Dissonances, FACTS, Carr\u00e9-colonnes, Saint-M\u00e9dard-en-jalles<br> <em>Coca-Billa<\/em>, Sisak, Croatie<br> <em>Manifestation interdite<\/em>, Jungle de Calais<br> <em>Paroles de lecteurs,<\/em> M\u00e9diath\u00e9que , M\u00e9rignac<br> <em>Le ch\u00e2teau-livre<\/em>, Centre d\u2019art, Lormont<br> <em>Adapta\u00e7\u00e3o<\/em>, Centre de la biodiversit\u00e9, Paredes de coura, Portugal<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015<br> <em>La cuze<\/em>, Nuit du patrimoine, Sarlat<br> <em>S\u00e9rendipit\u00e9<\/em>, FACTS, Universit\u00e9 de Bordeaux<br> <em>D\u00e9tection<\/em>, Biomuseo, Alliance Fran\u00e7aise, Panama city<br> <em>Paroles de lecteurs<\/em>, m\u00e9diath\u00e8que, Saint-Ciers sur Gironde<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014<br> <em>Invasion<\/em>, Nuit verte de PanOrama, Lormont<br> <em>Temp\u00eate<\/em>, Agora, Bordeaux<br> <em>Trajets<\/em>, \u00c9t\u00e9 m\u00e9tropolitain, Bordeaux<br> <em>Crash<\/em>, Garage moderne, Bordeaux<br> <em>Un tour en paysage<\/em>, \u00c9t\u00e9 m\u00e9tropolitain, Bordeaux<br> <em>Ici bient\u00f4t,<\/em> Comard et Granger architectes, Bordeaux<br> <em>Transe rupestre<\/em>, Mus\u00e9e National de Pr\u00e9histoire, Nuit Europ\u00e9enne des mus\u00e9e, Les Eyzies<br> <em>Symbiose<\/em>, Darwin, Bordeaux\u2028Place de village, Galinat<br> <em>Brame urbain<\/em>, Bordeaux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013<br> <em>Monstres<\/em>, square George Cain, Nuit blanche de Paris<br> <em>Place d\u2019armes<\/em>, La nuit d\u00e9fendue, Pessac<br> <em>Ruches<\/em>, \u00c9t\u00e9 m\u00e9tropolitain, Amb\u00e9s<br> <em>Caserne Niel<\/em>, Et\u00e9 m\u00e9tropolitain, Bordeaux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>2012<\/em><br> <em>Monstres<\/em>, Nuit verte de PanOrama, Bordeaux<br> <em>BaseArt<\/em>, Fr\u00e9jus<em><br> Les lumi\u00e8res<\/em>, Mus\u00e9e National de Pr\u00e9histoire, Les Eyzies<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011<br> <em>Projet nouvelle<\/em>, Estuaire de la Gironde<br> <em>Campagne urbaine<\/em>, Zone Artistique Temporaire, Montpellier<br> <em>Magic Mall Jackpot<\/em>, Galerie Octave Cowbell, Nuit blanche de Metz<br> <em>Vacances rupestres<\/em>, Printemps de l\u2019Art Contemporain, Marseille<br> <em>United nations<\/em>, Nuit de l\u2019Instant, Marseille<br> <em>Campagne urbaine<\/em>, Salon d\u2019art contemporain de Montrouge<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">PRESSE ET PUBLICATIONS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><a href=\"https:\/\/www.poly.fr\/olivier-crouzel-expose-horizon-a-la-fondation-francois-schneider\/\">Olivier Crouzel expose Horizon \u00e0 la Fondation Fran\u00e7ois Schneider<\/a>, Suzin Vieira, 3 f\u00e9vrier 2023<br> La possibilit\u00e9 d&#8217;une \u00eele, Itzhak Goldberg, Le journal des arts, juillet 2022<br> L\u2019image au d\u00e9fi<\/em>, \u00c9tienne Hatt, Art Press 473, Janvier 2020<br> <em>L\u2019art num\u00e9rique en question<\/em>, Nathalie Troquereau, M\u00e9dias-Cit\u00e9, 1er avril 2019<br> <em>RTL Luxembourg<\/em>, about Zero Impunity from Edwy Plenen and Marion Guth, 18\/03\/2019<br> <em>Paysages int\u00e9rieurs en guise d\u2019\u00e9vasion<\/em>, Jean-Marc Lernould, Sud-Ouest, 23\/01\/2018<br> <em>Un paysage r\u00eav\u00e9 ou familier pour s\u2019\u00e9vader du monde carc\u00e9ral<\/em>, La d\u00e9p\u00eache, 30\/01\/2018<br> <em>La rue 2\/5 \/ Il n\u2019y a pas que le graffiti<\/em>, Avec Marie Escorne, France culture, Nouvelles vagues<br> <em>L\u2019art \u00e0 m\u00eame la ville<\/em>, Rencontre avec Marie Escorne, La zone du dehors, Bordeaux<br> <em>\u00ab Tous migrants ! \u00bb<\/em>, Simon Barth\u00e9l\u00e9my, Rue 89<br> <em>Projeter l\u2019invisible<\/em>, rappeler l\u2019oubli , Sophie Lapalu, Quotidien des arts<br> <em>D\u2019une sc\u00e8ne \u00e0 l\u2019autre<\/em>, Rapha\u00ebl Brunel, R\u00e9seau documents d\u2019artistes<br> <em>Paysage num\u00e9rique en c\u00f4te<\/em>, Laurent Catala, MCD<br> <em>A Soulac, Le Signal attend la mar\u00e9e du si\u00e8cle<\/em> tout en art, Walid Salem, Rue 89<br> <em>Das Monster<\/em> im Wald, Zeitjung \u2013 Allemagne<br> <em>Os monstros<\/em>, Arteref, Br\u00e9sil<br> <em>Bordeaux, le r\u00e9veil de la belle endormie<\/em>, Lorraine Rossignol, T\u00e9l\u00e9rama<br> <em>Nuit Blanche 2013<\/em>, Paris, Jean-Baptiste Bulot, Light zoom lumi\u00e8re<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011 : Prix, Nuit de l\u2019instant, Marseille, France<br>2015 : R\u00e9sidence, Biomus\u00e9eo, Alliance Fran\u00e7aise de Panama city<br>2016 : R\u00e9sidence, Sisak, Croatie<br>2017 : R\u00e9sidence, Basilique de Saint-Denis<br>2017 : R\u00e9sidence, Centre de d\u00e9tention, Eysses<span class=\"Apple-converted-space\"><br><\/span>2018 : R\u00e9sidence, R\u00e9serve naturelle du Fiers d\u2019Ars, \u00eele de r\u00e9<br>2018 : R\u00e9sidence, Ch\u00e2teau Guiraud, Sauterne<br>2019 : Laur\u00e9at Talent contemporain, fondation Fran\u00e7ois Schneider, Wattwiller<br>2020\/22 : R\u00e9sident de la fabrique Pola, Bordeaux<br>2020 : R\u00e9sidence, Villa Saigon, Institut fran\u00e7ais, H\u00f4 Chi Minh, Vietnam (report\u00e9)<br>2020 : R\u00e9sidence, CNRS, Jardin des sciences, Universit\u00e9 de Strasbourg<br>2020 : R\u00e9sidence, Op\u00e9ra de Bordeaux<br>2021 : R\u00e9sidence, Le collectionneur, Z\u00e9bra 3, Bordeaux<br>2022 : R\u00e9sidence, For\u00eat exp\u00e9rimentale, Universit\u00e9 de Bordeaux et Inrae<br>2022 : R\u00e9sidence pour <em>UN<\/em>, au 104, Paris<br>2022 : R\u00e9sidence <em>Maritimes<\/em>, estuaire de la Garonne et au del\u00e0<br>2022 : R\u00e9sidence arts et sciences <em>VitiRev<\/em>, Avec l&#8217;Inrae<br>2022 : R\u00e9sidence pour UN, \u00e0 la M\u00c9CA, Bordeaux<br>2022 : R\u00e9sidence pour UN, aux Subs et au th\u00e9\u00e2tre des C\u00e9lestins, Lyon<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Born in 1973 in FezLives and works in Bordeaux Olivier&hellip;<\/p>\n","protected":false},"author":2,"featured_media":19570,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"widgetized.php","meta":{"footnotes":""},"class_list":["post-3531","page","type-page","status-publish","has-post-thumbnail","hentry","post-grid"],"wps_subtitle":"      ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/pages\/3531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/comments?post=3531"}],"version-history":[{"count":39,"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/pages\/3531\/revisions"}],"predecessor-version":[{"id":19231,"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/pages\/3531\/revisions\/19231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/media\/19570"}],"wp:attachment":[{"href":"https:\/\/www.oliviercrouzel.fr\/en\/wp-json\/wp\/v2\/media?parent=3531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}